Just like you, Judy, “I like having an idea of whether [a plant] would turn to slime come April before I spend money on it.” I’m always on the lookout for sources of information that keep me from reinventing the wheel. Woody Landscape Plant Cold-Hardiness Ratings, Technical Bulletin #156 from the Maine Agricultural and Forest Experiment Station, is one of the first sources of information I found. UMaine maintains the Lyle E. Littlefield Ornamentals Trial Garden in Orono. According to the Introduction, “the site is in USDA hardiness zone 4a having suffered winter temperatures as low as -30 degrees F. three times in the last 6 years.” (This was published in 1994.) The plants are grown without winter protection except for mulch and are rated numerically to indicate their winter survival: 1= no damage whatsoever and 5=died. However, as Reeser C. Manley pointed out to me in an email dated 3/7/2001, “. . . in some cases only one to a few plants were tested. This is fine if they survive, but tells you nothing if they die since winter survival is a function of so many variables, freezing tolerance being only one.” True enough, but it’s a good place to start if you don’t have a clue as to what trees and shrubs will survive in your climate, and the woody plants are the most expensive. Best of all, the booklet is free for the downloading.
Is it cold hardy? Online information for the cold climate gardener
There is something about a garden that brings out a fiercely possessive streak in the best of us. All our triumphs, to be really satisfying, must stem from our own individual efforts; and we look with a cold eye upon innovations for which we are not personally responsible. Even a suggestion, however tactfully introduced, is not always taken in good part. . . . We gardeners should not be blamed for this defensive attitude, which is based on the intense interest we take in our work. Without it, gardening would become an undertaking so laborious, so frustrating, so maddening, that there would soon be no gardens at all. As with all truly creative pursuits, the appeal is to the mind and to the heart, rather than to the pocket; and unless we can convince ourselves, beyond any doubt, that the credit is ours, and ours alone, we are like a singer listening to the applause for a song that someone else has sung.
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